Lil Wayne & Diddy’s Posse Nearly Trade Blows, Clash In Miami Club

Written By Cyrus Langhorne

1.4k Views 3 Comments

Grammy-winning rapper Lil Wayne and music mogul Diddy‘s camp reportedly came close to trading blows during a weekend outing in Florida.

According to reports, the near-physical incident took place last Sunday (October 18) at Miami’s LIV Nightclub at the Fontainebleau Hotel when Wayne went to speak to Puff Daddy.

The beef started when Diddy’s security stopped Weezy and wanted to search his posse. We’re told Wayne didn’t take kindly to that … ended up spilling his drink on a bodyguard, and then things escalated quickly — with both posses shoving each other. We’re told Wayne and Diddy got in the middle of the fray, and there was a lot of yelling back and forth … but ultimately cooler heads prevailed. (TMZ)

Diddy is reportedly attached to an upcoming ABC television show called “The Hustle.”

Single-camera comedy The Hustle, which has received a script commitment with a penalty attached, is inspired by the real-life events of Combs’ right-hand woman, Snedeker — now an exec at his Revolt Films Banner. It centers on a small-town girl who lands a job working as an assistant to a street-educated billionaire business mogul where she is instantly thrown into a foreign world of extravagance, debauchery and adventure. (The Hollywood Reporter)

Puff Daddy recently partnered up with Epic Records to distribute Bad Boy Entertainment music.

Sean “Puff Daddy” Combs’ 22-year-old music house Bad Boy Entertainment has teamed with Epic Records, the Sony Music company announced today (Oct. 5). The exclusive partnership includes distribution of two forthcoming Puff Daddy albums and provides a home for Bad Boy artists covering customary label services including promotion, marketing, sales and distribution. (Billboard)

A few weeks ago, Diddy updated fans on the status of his next solo album.

“Right now I’m just making music. I haven’t really decided if I’m putting out an album or a title. There’s a lot of things motivating it. One thing is your best body of work, which is No Way Out, and really channeling that. Like I said, I’m taking the backseat approach to being a producer and a platform, just as it was for The Lox, Ma$e and [Lil’] Kim and so on. That’s really what it is.” (“The Breakfast Club”)


3 Comments

Written by Cyrus Langhorne

3 Comments

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